Andrew

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Viewing 15 posts - 376 through 390 (of 4,135 total)
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  • Andrew
    Keymaster

    @willw18 – Really nicely played Will! Great feel throughout! Well done 👏


    @anyon1
    – Beautifully played Adriana! TY so much for the donation. When you get a chance, can you email me the amount so that I can keep our tally up to date 🙂

    Andrew
    Keymaster

    @morrieuke1 – Great playing, as always, Michael and I like the percussive touch you added! Thank you so much for the donation! When you get a chance, can you add that tune to our request list?


    @misterbones
    – That was awesome Michael! I already know @The_Bumble_Bard’s gonna love it! 🙂

    TY so much for the donation!

    Andrew
    Keymaster

    @leb397 – You said:

    I’ve changed the single open “c”/G string to the E string 3rd fret

    The open 3rd string can remain as is. The open 4th string is the only one that needs to be moved to the 3rd fret on string 2.

    Question is the Am7 in the 5th bar doesn’t sound quite right open on c&g. Do you play the cords with open g&c as written for low G?

    Try ignoring string 4. That might make it sound better to your ear.

    Andrew
    Keymaster

    @The_Bumble_Bard – Beautiful adaptation Rachael! Well written and played! Thank you so much for the donation! I’m very thankful to have you here with us. I really appreciate your positive comments for our members and teachers 🙂


    @ukefinlandgirl
    – Beautifully played! One thing I’d suggest working on is increasing sustain. I noticed that you’re lifting your fretting fingers before the note’s full duration. Try keeping them held down for the entire length of each note. I’d also recommend watching this lesson. It goes into more detail about this concept.


    @deadbuggy
    – Beautifully played Sara! Great feel and pacing! TY so much for the kind words, I really appreciate it!

    Andrew
    Keymaster

    @maryjanew – Sounding awesome already MJ!


    @emiliano
    – A beautiful adaptation Emiliano! Well done and played!

    Andrew
    Keymaster

    That’s awesome! Thank you so much for your generosity. Have a fun and safe and trip! 🙂

    Andrew
    Keymaster

    MJ, Marianne’s playing it on baritone. It’s pretty easy to adapt to bari or low G. All you have to do is move the open 4th string notes to the 3rd fret on string 2.

    Andrew
    Keymaster

    Yes, Evan’s doing Rockin’ as a full band arrangement 🙂

    Can’t wait to hear the uke! Looking forward to it! And def share a performance of your arrangements, that would be fun to listen to!

    Andrew
    Keymaster

    Wow, Marianne! What a beautiful performance to kick off our December challenge. And TY so much for your generosity! It’s truly appreciated 🙂

    Andrew
    Keymaster

    THANKS TO EVERYONE WHO PARTICIPATED THIS MONTH! WE HAD 93 ENTRIES! YOU GUYS ROCK!

    Hope to see everyone in our December Challenge. December is your LAST CHANCE to win the Kanile’a!

    Here is a list of everyone who participated. Please let me know if there are any discrepancies.

    ——

    marlongas
    marlongas
    deadbuggy
    deadbuggy
    lucauka
    lucauka
    jbmills07
    jbmills07
    misterbones
    misterbones
    darktoto
    annemarie
    annemarie
    ukefinlandgirl
    hiouke
    hiouke
    willw18
    willw18
    suekulele
    suekulele
    ruiafonso70
    ruiafonso70
    shmu88
    shmu88
    planetfink
    planetfink
    terryfallon3
    terryfallon3
    marianne
    marianne
    mepasha
    mepasha
    kirpuff
    kirpuff
    clempek
    clempek
    katazumiri
    katazumiri
    dianna
    dianna
    brettboy
    brettboy
    lbilkie
    lbilkie
    mark1256
    mark1256
    nat-uke
    nat-uke
    The_Bumble_Bard
    The_Bumble_Bard
    kittycatlin
    kittycatlin
    leslieb
    leslieb
    kickass
    nachtz
    nachtz
    corey_mclean
    corey_mclean
    lhamilton
    lhamilton
    jedart
    lyndallk
    lyndallk
    jgillard
    jgillard
    ccwuke
    ccwuke
    johanna2509
    johanna2509
    rickgrant2025
    rickgrant2025
    mickan88
    mickan88
    robinboyd
    robinboyd
    leb397
    leb397
    akukes73
    akukes73
    karenj
    karenj
    rw1950merritt
    rw1950merritt
    anyon1
    anyon1
    morrieuke1
    morrieuke1
    barbecueblack
    barbecueblack
    alanaw
    ldarrow
    ldarrow
    otzepeng
    otzepeng
    kanique
    kanique
    mysticrick
    mysticrick
    lynnzo
    lynnzo
    jazzyj
    jazzyj
    rgillof
    rgillof
    yvonneb
    janaq1
    janaq1
    jebergeron
    jebergeron
    shelle
    shelle
    potter
    potter
    gi_gi_
    gi_gi_
    nelsonlin2021
    nelsonlin2021
    ukulelee
    ukulelee
    keeevo
    swissconsinboy
    swissconsinboy
    mkstewart67
    mkstewart67
    mmoynihan
    mmoynihan
    frederic
    frederic
    olemartin
    olemartin
    anikali
    anikali
    Nico_uke
    Nico_uke
    heike_uke
    heike_uke
    abster
    abster
    kelsey91
    kelsey91
    k_ra11
    k_ra11
    giveittomebaby
    bibilele
    bibilele
    anya09
    1481632_m
    grannieannie
    grannieannie
    gstriph
    gstriph
    jayton
    jayton
    jody_hendrickson
    jody_hendrickson
    leihali
    leihali
    joe150
    joe150
    emiliano
    emiliano
    tessiert
    tessiert
    cimarronsailor
    cimarronsailor
    addilein
    addilein
    markmdive
    markmdive
    ukealori
    ukealori
    maryjanew
    maryjanew

    Andrew
    Keymaster

    Here’s everyone on page 14.


    @cimarronsailor
    – Very cleanly played and great timing too! As for the chunks in measures 13 – 15, I actually think it sounded great not playing them. If you do want to add them in the future, the chunk in bar 13 uses the technique I taught in this lesson. And the ones in bar 14 is the same technique you used for bar 26.


    @addilein
    – Nicely played Astrid! So some of the rhythms I’m hearing you play are incorrect. I’d recommend playing along with me in the tab player, slowed down, maybe 60% speed. Start without playing the ukulele. Count out the rhythms as you watch the tab/sheet music scroll across. So for ex, in measures 1 and 2, you would count:

    1 2& 3 4&
    1& 2& 3& 4&

    When your voice matches my playing exactly, try playing along and counting out loud as you play.

    Remember to keep the swing feel intact and I’d recommend watching this lesson on 8th note triplet rhythm. It’s a great resource to help you clearly define those notes as triplets.

    The other thing I’d like to mention is that I notice you hug the neck a lot. Check out the advice I left here for @mysticrick. It’ll give you insight into how hugging prevents left hand dexterity, especially when playing melody notes on the A string.


    @markmdive
    – Nicely played Mark! So I noticed that you sit with the ukulele in a classical guitar-like position. I’d recommend watching this lesson and the one that follows it, from our Classical Technique Course, as Steven talks about why that position isn’t ideal for ukulele playing. His lessons cover correct sitting position/posture, as well as, how to hold the ukulele.

    I’d also recommend checking out this lesson. Form 2 shows you how to use your index finger to help support the neck so it doesn’t move/fall. That is vital for the jumps (up the neck) that this etude uses.


    @ukealori
    – Way to go Lori! BIG congrats on memorizing it and you played it beautifully! Well done 👏


    @maryjanew
    – Nicely done MJ! I think you’ve got a great base established, so from here, I’d work on perfecting one section at a time.


    @jasdel
    – Beautifully played Jasdel! I loved it ❤️

    Andrew
    Keymaster

    @shelle – I’ve got you down for 2 entries 🙂

    Andrew
    Keymaster

    Here’s everyone on page 10 that I hadn’t gotten to yet.


    @mysticrick
    – You played it beautifully Rick! That’s a really cool and great sounding vintage instrument too! I noticed your thumb stretches to the left a lot of times while you are playing. For ex, during the chord in bar 3 and 4. So I made this graphic to show how it’s better to keep it inline with your index when barring. That’ll make it much easier to fret those melody notes on the A string. You’ll have a lot more dexterity. I’d also recommend using form 1 for that section.

    null


    @lynnzo
    – Fingerpicking sounded great, Lynn! The only thing I’d suggest is practicing with Matt in the tab player to help you stay steady and eliminate any pauses or hesitations. Start by playing along at 70% or 75% speed.


    @jazzyj
    – Here is my feedback for you:


    @rgillof
    – I think you nailed the feel and vibe of the piece, Richard! Stylistically, though, I’d suggest using less rubato. At times, there was a bit too much, which can make the rhythms less recognizable. I would instead recommend using a structured/themed approach for rubato. Here’s a video I made for another member for this song. It talks about this concept in detail.


    @yvonneb
    – Beautifully played, and your timing was spot on! I’m excited to hear more of your performances in the future! 🙂


    @janaq1
    – Triplet picking technique looks and sounds fantastic! You’ve definitely got it down, and it’s so cleanly played—actually, the whole piece was! I mentioned in a previous post that Theme 3 gave me a hard time, and I think that’s what you were referring to as the toughest part. But honestly, it didn’t look like you struggled with it at all like I did. Impressive work, Jana!

    Andrew
    Keymaster

    Friendly Reminder – The deadline for receiving feedback and an entry into the giveaway is tonight at 11:59 PM ET (check your local time zone).

    Andrew
    Keymaster

    @lynnzo – Copy their username and add an @ before it 🙂

Viewing 15 posts - 376 through 390 (of 4,135 total)