Andrew

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  • Andrew
    Keymaster

    @maryjanew – No, only for Kanile’a giveaway months (apr, may, june, oct, nov, dec).

    Andrew
    Keymaster

    Friendly Reminder – The deadline for receiving feedback and an entry into the giveaway is tonight at 11:59 PM ET (check your local time zone).

    Andrew
    Keymaster

    @dianna – Our apologies, that message was for @abster. Evan’s been teaching him one-on-one 🙂

    Andrew
    Keymaster

    @johanna2509 – The melody is shining through much better during the strumming sections. Nice job! And you’re fingerpicking that 16th rhythm accurately each time too. Very nice progress! The only thing I’d suggest to work on, is to eliminate the pauses during the transitions in the strumming section.


    @abster
    – That was amazing Abhay! I just sent it to Evan to watch 🙂


    @anyon1
    – BIG improvement with your H/O & P/O technique. They are sounding spot on now! You played the piece with a great feel and a solid, steady tempo. Excellent work Adriana!


    @leb397
    – You’ve got it flowing beautifully! I’d call that a big improvement! It was a lovely performance and a pleasure to listen to Louisa 🙂


    @frederic
    – You’ve got that rhythm down now! Excellent fingerpicking and great job on the timing/tempo. You kept it steady throughout!


    @nelsonlin2021
    – Your dexterity has improved dramatically in both hands. You always had a great feel, but now, you’ve got fluidity too. I’m continually impressed by how fast you’re progressing with your musicianship!

    Andrew
    Keymaster

    @grannieannie – Yes, you can find those 2 links in this post.

    Andrew
    Keymaster

    @mickan88 – Your tempo and pacing is much better on the retake. It was a flawless performance. Excellent job!


    @amspeck
    – Excellent progress for two weeks, very impressive work Anne! Your playing sounds beautiful! As you continue to practice, try working on one section at a time with a focus on keeping it steady throughout (eliminating pauses in transitions). So for this tune, I would try 4 bars at a time. For ex:

    Bars 1-4

    Once you feel good on those, try 5-8 next. Then go back and try 1-8. Practicing the song in these “bit-sized” chunks helps us get it down faster 🙂


    @ukefinlandgirl
    – Sustain sounds great and you played it beautifully Tara! I do have one suggestion, it looks like your right hand has a bit of tension in it as you pluck. Here’s a video I made a couple years back for another member that shows how relaxed your hand/forearm should be.

    Andrew
    Keymaster

    @keeevo – Your pinky technique is looking way better! Nice work on that! This piece sounded great overall. I know you mentioned the first video was an early take when you were just starting to learn it, but the difference is huge! You’ve got it flowing so beautifully now!


    @cimarronsailor
    – Wow! What a HUGE difference from your takes back in 2022, way to go Lynn! It was an absolute pleasure to listen to!


    @leslieb
    – Amazing progress Leslie! I think you smashed your goals of tempo and transitions. Keep up the excellent work!

    Andrew
    Keymaster

    @henri0 – I don’t think you need the sheet music, you’ve got a great memory! Sounded spot on to me. What I hear is a BIG improvement in your rhythm playing chops. Very well played, Rhian!


    @brettboy
    – I think you nailed the goal of achieving a more soulful performance, Brett. Your pacing feels really emotive, and your left-hand form in the “chorus” section is drastically improved. Those chords are ringing crystal clear now! You’ve put a lot of time into playing over the years, and it shows!

    Andrew
    Keymaster

    @rgillof – You’ve got that bridge sounding good now! Tempo is much better. And the ending chords are ringing clear. I’d say mission accomplished! Well done Rich!

    Andrew
    Keymaster

    @akukes73 – You’ve got it flowing beautifully now! Sustain sounds great, as does the overall feel. This is a big improvement! The only thing I’d suggest is working on the ending of Melody A. Starting on beat 2 in bar 5, continuing through bar 7. Try to get that phrase to sound a little more legato instead of staccato. Keep up the great work Ash!

    Andrew
    Keymaster

    @marianne – It’s amazing how expressive your playing has become. A totally pro performance!


    @grannieannie
    – Your fingerpicking chops have greatly improved! You’ve got it flowing so beautifully now, Annie!


    @joe150
    – Very well played Joe! You’ve got it coming along nicely. Keep working on keeping it steady. Try working on only one section per day.


    @marlongas
    – The new take def has a better, more natural flow. Playing to a click has always been a topic of debate among musicians. Some swear by it, others hate it because it locks you in.


    @leihali
    – Your strumming technique looks AND sounds way better! You’re getting a soft and sweet tone now, which works perfectly for this tune. Well done Kay!


    @lyndallk
    – You aced the vocal! And I agree, it’s much easier to play with feel when not having to also read. And feel, your performance had that in spades 🙂


    @nat-uke
    – I think you aced your goals with note clarity, barre chords, and flow! You’re also holding the uke properly when compared to the first video. That def helps with all of the above. I think the something you’re talking about is the sound of the down strums. In the first take, you play them with your thumb, in the second take, the nail of your index. The nail gives it a brighter sound. But I think you’re controlling the attack perfectly, so it doesn’t sound harsh.

    Andrew
    Keymaster

    Here’s everyone on page 7 that I hadn’t gotten to.


    @lhamilton
    – I remember recording the performance for this song. It was one of those million takes for me, lol. I remember it was past midnight when I finally got it. Ugh, this was def one of those tunes that kicked my butt.

    I agree with you, you are playing way more confidently! As you should be, you are a great player! My only advice for this would be to slow it down and focus on keeping the tempo steady and nailing every transition. There’s a lot going on with this tune, which def makes those 2 things challenging to get smoothly.


    @misterbones
    – Last week, I wrote a comment for Sam and I’d echo that same accomplishment for you. Listening to these 2 takes back-to-back, your musicianship has 10x-d! It really is incredible to hear how much you’ve progressed – AND – that you are playing it as a duet! The jumps in timing and musicality is impressive!


    @jedart
    – BIG improvement in fluidity, Jed! Fantastic work 👏

    Andrew
    Keymaster

    @hubertk – This was an excellent first post, Hubert! Here is my feedback for you and here is the lesson I referenced.

    Andrew
    Keymaster

    @katazumiri – Great groove, Lena! That was awesome!

    Andrew
    Keymaster

    @mark1256 – BIG improvements on tempo, fluidity, dynamic expression, and feel. Way to go Mark! Playing it on a concert was a good call. I love my concerts for that reason. The stretch chords are so much easier on them then tenors.

Viewing 15 posts - 271 through 285 (of 4,143 total)