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@becky7777 – Hope you feel 100% soon, Becky!
@nthibode – Bravo, Nathalie! Well played 🙂
That’s much better, Ray! It’s crazy how much the thumb technique gives it that characteristic sound. Well done!
@nathalie – Well done! It sounds awesome. Keep up the great work 🙂
Hi Emil, I don’t think that’s something we’d create a lesson on. But, it is something Stephen could help you with in a Skype lesson.
@smokealot – Wonderfully played and well phrased! Def gonna share this in our email this week 🙂
For something that high, I’d try this fingering: middle for G, barre with index and ring for A. Should make it easier, but you’re really fighting against the edge of the body/lack of space. A cutaway would make it much easier.
@surfnrz – check this out, Ray.
@annemarie – You can def slow it down 🙂
@andrewvh – Bravo, Andrew – that was well done! What I’ve noticed with this technique is that it’s all about articulation. You’ve definitely got the clarity and feel down in the first half, but when it starts to get more complex in the second half, it becomes a little muddy. So what I would do is slow it down and focus on getting that crisp attack throughout the last half. Keep up the great work!
@marygrace – Looks great to me, Mary Grace! Right hand form looks great and the sound is spot on for this technique. I look forward to watching the next one 🙂@lisadmh – Bravo, Lisa! You’ve got it down. Great natural feel, very well played 🙂
@reneemur – Copy the URL and paste it in its own line. For ex:
YouTube Link
@jinajupiter – they would be contained within the chord. They don’t always fall on string A, so it can become “blended” to the ear over typical arr. writing that usually places them there.
@johanna2509 – WOW that was beautiful! I love how you paced it – it gave it a very natural feel/sound. I have no constructive feedback other than: let the last note ring out till it fades 🙂
And the G strings harmonics sound great to me! All of them did. Well done!