Andrew

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Viewing 15 posts - 421 through 435 (of 4,155 total)
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  • Andrew
    Keymaster

    @The_Bumble_Bard – Beautifully played Rachael! And it sounds amazing as clawhammer style too 🙂

    TY for the kind words, I appreciate it!


    @kittycatlin
    – Perfect performance! Well done Cat! 👏


    @leslieb
    – Really well played, Leslie! The only 2 things I’d work on is the last bar of the B melody – which, I think is the trickiest one in this piece – and smoothing out any little pause in transitions. Again, great playing this month! You rocked it!


    @kickass
    – Excellent performance! I like your stylistic choice of pausing between transitions. And TY for the kind words!

    Andrew
    Keymaster

    @marianne – Can you try clearing the browser’s cache and seeing if that resolves the issue? If not, I would try clearing the cookies too, but heads up, that will log you out of every site.

    Andrew
    Keymaster

    @lbilkie – Great to see you back, Lori! Your playing sounded beautiful! The only thing I’d suggest working on is smoothing out the transitions to minimize the gaps when switching between chords.


    @mark1256
    – I’d say you nailed it Mark! I also like the subtle changes in the H/O & P/O licks you made. Well done this month! 👏


    @nat-uke
    – Perfect playing Natalie! Great timing and feel, well done!

    Andrew
    Keymaster

    @dianna – Beautifully played, Dianna! The only thing I’d suggest working on is smoothing out the transitions to minimize the gaps when switching between chords.


    @clempek
    – That flows better! I hear you rushing the first hit of the pattern. Make sure you hold it for a quarter note.


    @brettboy
    – It’s crazy how different each sound! If I had to pick one, I’d say the first is my fav b/c the low, deep tone reminds me of a haunting sound, kinda like the version of Mad World in Donnie Darko. Great playing all around!

    Andrew
    Keymaster

    @mepasha – Beautifully played, Peter! Great fingerpicking! TY for the kind words, I appreciate it!


    @kirpuff
    – That was awesome Sara! Fantastic playing and your cat is adorable ❤️


    @clempek
    – Clem, watch this video. You’ll hear me perform the same etude, but at a slower, more heartfelt pace than how I performed it in the original recording. I think it sounds better at that slower pace. So how does this all relate to your performance? Well, rhythmically, you played it correctly. So it’s not a timing issue. I would suggest changing the feel of the piece by copying what I did the second time around. Which is to let the piece breathe and flow more by slowing the pace/tempo. Give that a try!


    @katazumiri
    – This was amazing Lena! Def gonna share your performance this week on our socials and newsletter 🙂

    in reply to: On/off relationship with the ukulele #64478
    Andrew
    Keymaster

    Welcome Kasia! Glad to have you here with us 🙂

    You should join us for this month’s challenge. Challenges help keep folks motivated. I’d recommend picking one of the beginner pieces for this month.

    Andrew
    Keymaster

    @marianne – Absolutely beautiful! Great playing Marianne 🙂

    Andrew
    Keymaster

    @mysticrick & other folks that may encounter this issue – Starting in 2024, YouTube videos embedded on websites, including Rock Class 101, may show a message asking viewers to “Sign in to confirm you’re not a bot.” If you encounter this message, the only way to bypass it is to sign into your YouTube account through the same browser you’re using to access Rock Class 101.

    To clarify, this prompt is asking you to log into your YouTube account, not your Rock Class 101 account. If you do not have a YouTube account, creating one is free. If you prefer not to create an account, try accessing Rock Class 101 via a different web browser, as the message may not appear there.

    Rick, try staying logged into YouTube via the browser you use to access RC101. That will prevent the issue from happening.

    Andrew
    Keymaster

    @ruiafonso70 – Jump into our reading course, that’s the best way to gain a thorough understanding of rhythm and timing. And you headphones setup looks great! That will def help 🙂


    @terryfallon3
    – Really nicely played Terry! Great work this month 🙂

    Andrew
    Keymaster

    @ruiafonso70 – Fingerpicking sounds great Rui! Rhythmically, you switched it up quite a bit. If this wasn’t intentional, I’d recommend playing along with Matt in the tab player and counting the rhythms out-loud as you go along.


    @shmu88
    – Nailed it Sam! Great feel too!


    @planetfink
    – Really nicely played Kathy! Your instrument has such a nice, deep tone too! The only thing I can suggest is fine tuning the A Melody. There’s a few spots where I’m not hearing each note as crystal clear as I’d like. Try slowing the tempo and listening out for note clarity.

    Andrew
    Keymaster

    Thanks to everyone who tuned in! We’ll be adding tab graphics to the video, and the replay will be released on December 13th 🙂

    Andrew
    Keymaster

    @ukefinlandgirl – Beautifully played! An excellent first post Tara! Hope to hear more from you 🙂


    @hiouke
    – Absolutely lovely take, well done 👏


    @willw18
    – You nailed the haunting feel of the piece and the arpeggiated technique. Beautifully played, Will!


    @suekulele
    – This might be the most adorable video we’ve ever had, I loved it! Great playing too, Sue!

    Andrew
    Keymaster

    @marlongas – You kicked off our November challenge with not 1, but 3 amazing performances! Great playing all around Carlos! 👏


    @deadbuggy
    – Beautifully played Sara! ❤️


    @lucauka
    – BIG improvements on timing! Well done and great note clarity and fingerpicking too Luca!


    @jbmills07
    – Beautifully played Justin and love the reverb lushness too 🙂


    @misterbones
    – That was awesome Michael! You aced it! I have a funny story on the whole tone scale, I once played a theater gig with two of my instructors from music college. It was a 13 piece band and one of my instructors was on lead guitar. He made a joke at rehearsal that he makes money teaching whole tone scale in class but playing pentatonic at gigs 😂


    @darktoto
    – Beautifully played Thomas! I shared your performance in our newsletter this week 🙂


    @annemarie
    – It sounds great on baritone Anne! You played it beautifully! Great job on all of the techniques in it! The only thing I would work on is smoothing out measure 8. That’s the hardest bar in the tune, IMO. Take it slow and try to keep the tempo steady.

    Andrew
    Keymaster

    THANKS TO EVERYONE WHO PARTICIPATED THIS MONTH! WE HAD 77 MEMBERS PARTICIPATE! YOU GUYS ROCK!

    I was BLOWN AWAY by how amazing everyone did! Big round of applause to everyone who participated this month. 🙂

    Hope to see y’all in our November Challenge!

    Here is a list of everyone who earned an entry for the giveaway. Please let me know if there are any discrepancies.

    —-

    simonalexander
    simonalexander
    otzepeng
    otzepeng
    The_Bumble_Bard
    The_Bumble_Bard
    willw18
    willw18
    deadbuggy
    deadbuggy
    deflygirl
    shmu88
    shmu88
    marianne
    marianne
    lucauka
    lucauka
    clempek
    clempek
    kanique
    kanique
    ramiro
    jgillard
    jgillard
    brettboy
    brettboy
    ruiafonso70
    ruiafonso70
    leb397
    leb397
    dianna
    dianna
    kittycatlin
    kittycatlin
    planetfink
    planetfink
    yukalele
    yukalele
    misterbones
    misterbones
    abster
    abster
    anyon1
    anyon1
    lhamilton
    lhamilton
    kickass
    barbecueblack
    barbecueblack
    ccwuke
    ccwuke
    katazumiri
    katazumiri
    karenj
    karenj
    morrieuke1
    morrieuke1
    jasdel
    jasdel
    johanna2509
    johanna2509
    ldarrow
    ldarrow
    suekulele
    suekulele
    grannieannie
    grannieannie
    kelsey91
    kelsey91
    corey_mclean
    corey_mclean
    marlongas
    marlongas
    leslieb
    leslieb
    giveittomebaby
    anikali
    anikali
    rgillof
    rgillof
    mepasha
    mepasha
    robinboyd
    robinboyd
    darktoto
    lynnzo
    lynnzo
    jayton
    jayton
    gstriph
    gstriph
    hiouke
    hiouke
    janaq1
    janaq1
    1481632_m
    akukes73
    akukes73
    jebergeron
    jebergeron
    mysticrick
    mysticrick
    shelle
    shelle
    b_ukes_101
    richard_siegert
    richard_siegert
    frederic
    frederic
    k_ra11
    k_ra11
    Nico_uke
    Nico_uke
    hotshot
    hotshot
    mmoynihan
    mmoynihan
    bibilele
    bibilele
    joe150
    joe150
    ukulelee
    ukulelee
    olemartin
    olemartin
    rickgrant2025
    rickgrant2025
    mademoiselleannette
    maryjanew
    maryjanew
    cimarronsailor
    cimarronsailor
    mkstewart67
    mkstewart67
    puppylovesuke
    puppylovesuke
    addilein
    addilein
    ukealori
    ukealori
    lyndallk
    lyndallk
    kirpuff
    kirpuff
    markmdive
    markmdive

    Andrew
    Keymaster

    Here’s everyone on page 11.


    @puppylovesuke
    – Bravo Daniel! You aced it! I really enjoyed listening to your performance 🙂


    @addilein
    – Very well played, Astrid! From here, I’d focus on refining and smoothing it out. You already play it so well! Just a couple more practice sessions, and you’ll have it perfected!


    @ukealori
    – Very nicely played Lori! The ghost notes sound great! Keep at it, it’s a tricky technique at first, but over time it becomes easier. So for this one, keep an ear out for consistency, that you hit it clean and clear each time.


    @lyndallk
    – Nicely played Lyndall! Watch out for the opens in bar 13 and 15, those are quarter note hits.


    @kirpuff
    – That was awesome Sara! Great playing!


    @markmdive
    – Really well played, Mark! One thing to focus on is consistency. While this song can be played with a bit of rubato, we still want to keep the tempo relatively steady. Some sections flow smoothly, while others take a bit more time to get through. For example, in Theme 1, the single notes from bars 6 to 9 have a nice, even flow. But in bars 10 to 12, the chord walk-down starts smoothly and then slows down significantly, with the diminished lick at the end of the theme being much slower than the beginning. I’d suggest working on maintaining a consistent tempo throughout, and then going back to add rubato where it feels right.

Viewing 15 posts - 421 through 435 (of 4,155 total)