Andrew

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Viewing 15 posts - 316 through 330 (of 4,154 total)
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  • Andrew
    Keymaster

    @kittycatlin – Bravo, Cat! The only thing I’d suggest is letting that last chord ring out until it naturally fades before cutting the recording. Other than that, it was a perfect performance!

    P.S. They used to drill this into us in music college. Almost everyone would hit the last chord and stop. The ending is just as important as the rest of the piece πŸ™‚


    @leslieb
    – Very beautifully played, Leslie, and thank you for the kind words! I’m hearing a few small hesitations in some of the transitions, like in the opening double-stop bar. For that section, try looping the first two bars in the tab player and playing along with Matt to smooth out those transitions.


    @terryfallon3
    – That was awesome Terry! I can tell you worked hard on this one and it shows! I have a few suggestions. For the opening section, the basic down and up strumming part, try using a claw-like shape for your right hand. I believe that’s what Chris uses, and I think it’ll give you more accuracy, especially with hitting those melody notes that fall across the A string.

    Your 8th note triplet strum technique is awesome! Great work there! For the quarter note triplet strum, jump into this lesson from our Strumming Techniques Course. Chris covers the rhythm and mechanics in it. Quarter note triplets are tricky rhythms because it’s three hits split evenly over half the bar.

    Nice work on the split stroke too! The last thing I’d suggest is to keep working on staying steady throughout, but focus on one section at a time for now.


    @The_Bumble_Bard
    – I think it came out great Rachael! Very creative and a pleasure to listen to πŸ™‚


    @dianna
    – Way to go, Dianna! That was awesome! First thing I have to say is very impressive work on the timing throughout! I do have a few suggestions. I notice your wrist looks like it has a little bit of tension as you strum. Try to keep it as loose and relaxed as possible. I think doing that will help increase your accuracy too.

    Try working on the first section, just the down and up strumming, but go slow and focus on keeping your right hand relaxed. Listen out for that melody line on the A string. Try to get it to ring out as clear and clean as possible.

    Split stroke, fan strum and triplet strum sounded great! Nice work on those techniques!

    in reply to: You are so beautiful! #65760
    Andrew
    Keymaster

    Glad to hear you enjoyed it, Trace! It won’t be on next month’s challenge, but it will def be on one of them πŸ™‚

    Andrew
    Keymaster

    @keeevo – Here is my feedback for you and here is the warm up exercise I mentioned.


    @brettboy
    – Bravo Brett! Great groove and feel πŸ™‚


    @terryfallon3
    – Hi Terry, it looks like your video has been deleted. Can you re-upload it?

    Andrew
    Keymaster

    @misterbones – I love the sound of it on the banjolele! And I dig the swing feel too! Excellent playing, Michael!


    @katazumiri
    – That was so cool! I love how creatively talented you are Lena!


    @lhamilton
    – The end of the D Melody was def the hardest part for me! So many barre chords lol πŸ˜‚

    You nailed the feel of the piece and it was a pleasure to listen to Linda!


    @grannieannie
    – Your playing had a soft, sweet feel, which really suits the piece. The only thing I’d adjust is the double stops, try plucking those just a touch softer. If you listen back and compare them to the rest of the piece, you’ll hear what I mean.

    You paced it beautifully! It sounded natural and pretty. Well done this month, Annie!

    in reply to: Parrothead Blues #65658
    Andrew
    Keymaster

    I can def hear AJ used a delay effect and it actually sounds really cool in some parts! For ex, hit play in the sound slice tab player and go to bar 22 (41 seconds). Listen to how the effect replays the lick after he plays it, but it’s subtle and in the background. It also fits the timing perfectly!

    Beyond that, prob just reverb, eq-d, maybe compression. It’s def a DI take, not acoustic (mic).

    Andrew
    Keymaster

    My pleasure! πŸ™‚

    in reply to: Hello from ATL #65653
    Andrew
    Keymaster

    I appreciate your support and kind words! If you ever need help with the lessons, please don’t hesitate to email me or post questions on the forum.

    Andrew
    Keymaster

    @mysticrick – The backing track is awesome, as is your playing Rick! Congrats on finishing the course too!

    The one thing I’d point out is the ending lick you play at 48 to 50 seconds. The last bar of the backing track plays on the 5 chord and that lick works over the 1 chord. So that would be the one change I’d make.

    Andrew
    Keymaster

    @shmu88 – I’d say it was magical! That was awesome Sam! My only suggestion would be to experiment with playing it at a slightly slower tempo. You may find it breathes more.


    @leb397
    – I loved it Louisa! So beautifully played, I’m gonna share your performance in our newsletter this Friday πŸ™‚


    @willw18
    – Aced it Will! You play with such great feel and tone!


    @anyon1
    – Index finger works! The cool thing about playing uke is that there’s so many options available to us in how we choose to play a piece and what matters is using proper form and tone/feel. You nailed both! It was absolutely beautiful played Adriana!


    @aletski
    – Great to see you back Alet! Strumming and chunks sound great! Only thing I’d suggest working on is the ending lick. Try this: loop the last 4 bars in the tab player and try to match my playing as best you can. It’s a little tricky rhythm and feel wise. But that approach should help you get it!

    Andrew
    Keymaster

    @karenj – Very beautifully played Karen! Well done! πŸ‘

    in reply to: Howdy! Wanted a quiet, portable instrument #65610
    Andrew
    Keymaster

    Welcome Carl! Below, I’ve embedded a quick video I made for a member a few years ago on how to hold the uke. Additionally, we’ve covered proper holding technique in our Beginner’s Course and in the Classical Course.

    But to directly answer your question, Steven is using Form 2, which uses the index finger to help support the neck. We actually had an email come in last month on this topic, and Steven filmed this video talking in more detail about his holding technique. But in a nutshell, he’s using form 2.

    If you have any questions, please let me know. And def, please do not use a kitchen mat lol πŸ˜‚

    Andrew
    Keymaster

    @deadbuggy – Wonderfully played with beautiful tone, Sara! As always, I enjoyed your tasteful and creative changes πŸ™‚

    Andrew
    Keymaster

    @The_Bumble_Bard – That sounds really cool so far Rachael! That technique works really well for this tune and I like how you switch out of it at 1:42. Gives the arr. a really nice change in feel and pace.

    Andrew
    Keymaster

    @joe150 – Very well played Joe! Try memorizing it and singing the words while playing it. That would be a fun way to practice timing πŸ™‚

    Andrew
    Keymaster

    @emiliano – My pleasure! Our newsletter requires a double opt-in, and it looks like you never completed the second step. I went ahead and took care of it for you, so you’ll receive this Friday’s newsletter.

Viewing 15 posts - 316 through 330 (of 4,154 total)